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Результаты поиска “Адрес и телефон подразделения по защите прав потребителей москва”
А нужен ли "уголок потребителя" в салоне красоты?
 
06:05
При оформлении салона красоты важно относится внимательно даже к мелочам. Поэтому сегодня разберем каким должен быть уголок потребителя в салоне красоты. Сразу хорошая новость для любителей покреативить ( а большинство beauty-мастеров именно такие😉) - закон не предусматривает какого-то определенного единого стиля оформления уголка потребителя. Это значит, что дизайн, количества ячеек, цвета и т.д. вы можете выбирать на свой вкус. Главное требование, чтобы потребитель без проблем мог в доступном для него месте получить всю необходимую информацию о вашей организации, в том числе, о предоставляемых услугах. Какие в целом документы и информпюпция должны быть доступны в вашем салоне согласно требования законодательства: -перечень, оказываемых услуг -обозначение стандартов предоставления услуг согласно закону -сроки, цены оказания услуг -правила предоставления услуг -адрес и телефон контролирующих органов, подразделения по защите прав потребителей, отделения Роспотребнадзора -образцы договоров, квитанции об оказании услуг -перечень потребителей которые имеют право на льготы, если они есть -сведения о вашей регистрации в качестве предпринимателя или ооо - закон о защите прав потребителей - правила предоставления бытовых услуг и правила продажи отдельных видов товаров -книга отзывов и предложений. Размещать все вышеперечисленные документы именно в уголке потребителя или нет - ваше решение. Вы можете просто создать отдельную папку и хранить её у себя в салоне и доставать в случае необходимости. 📖В уголок потребителя достаточно будет поместить только информацию об услугах, прейскурант, сведения о вашей регистрации, закон, правила, адреса и телефоны контролирующих органов, книгу отзывов и предложений.
ЖКХ Как генерируется штрихкод в платёжных квитанциях Семинар от 09 02 2017 г
 
01:06:33
Некоммерческая организация ,, Народный Центр Правовой Защиты ,, Будем рады видеть вас, ваших друзей и знакомых на наших семинарах каждый ЧЕТВЕРГ в 18 - 00 ч. по адресу: Санкт-Петербург, Московский пр., дом 212, офис 7007 Связаться с нами можно по телефону: 8 (812) 643-02-69 и +7 921-908-30-15 Для тех кто проживает в других регионах Email - centrprav1@yandex.ru ВК - https://vk.com/centrprav_su Клуб Финансовой Защиты (КФЗ) был учрежден в РУССОВПРОФЕ а с 04.03.2016 года путем присоединения стал Обособленным Подразделением ПК "ЛАД" КФЗ при Департаменте защиты прав трудящихся и при Центральном Совете ВЦСПС СССР — общественное профсоюзное объединение граждан с целью помощи и комплексной защиты граждан своих социально-экономических прав при взаимодействии граждан с Кредитно-финансовыми учреждениями: банки, ЖКХ, страховые компании, пенсионные фонды, медицинские страховые фонды и другими с целью защиты и улучшения качества жизни граждан. Оказывает социальную помощь по следующим направлениям: Просветительские и практические семинары по правовой и финансовой грамотности Тематические практические занятия по алгоритму действий граждан с целью защиты своих прав Индивидуальные консультации по финансово-правовым вопросам Оформление запросов и заявлений в различные учреждения Сбор данных об учреждениях по заявлениям граждан Проведение специализированной экспертизы, которая может иметь существенное юридическое значение Оказание помощи гражданам при получении пенсий, выплат, пособий Судебные услуги на льготной основе(выполняются по договору поручения): ведение досудебного урегулирования, подача заявлений в суд, послесудебное урегулирование, помощь на разных стадиях развития процессов Защита от коллекторского и банковского произвола, произвола ЖКХ. В особом порядке – защита прав бывших граждан СССР Услуги кассы взаимной помощи для участников этой программы – займы на беспроцентной основе, получение инвестиций, субсидий для развития малого и среднего предпринимательства Возможность приобретения жилья и авто без обращения в банки за кредитом. Оказание помощи в запуске самоуправления на разном уровне – получение субсидий и субвенций от государства Инвестирование в народные предприятия, кооперативных участков( построение народной экономики) – бизнес-инкубатор в социальной экономике Защита залогового имущества от взыскания – ипотека, автокредиты(особенно если ТС – средство заработка) Оказание содействия в социальной защите населения Льготные путевки в санатории, лечебно-профилактические учреждения Высшее и среднее профессиональное образование с последующим трудоустройством выпускников Другие услуги по запросам участников нашей организации. Повышение качества жизни участников профсоюза является нашей основной деятельностью и интересом, лучше жить в обществе благоденствия, чем прозябать в либеральном и наживаться на близких. Профсоюзу нужна высокая квалификация работников, хорошее здоровье работников, их оздоровление, высокая рождаемость, хорошее образование, досуг и активный образ жизни, гражданское общество, самоуправление, жилищное строительство, все виды кооперации и объединения, и он может все это обеспечить. Присоединяйтесь к нам, давайте сделаем свою жизнь лучше.
Просмотров: 1756 Злата Носова
Как вернуть страховку по кредиту?!
 
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В данном обучающем видео я расскажу, про то как сотрудники банков навязывают страховку при заключении договора кредита и как этого избежать. ЦЕНТРАЛЬНЫЙ БАНК РОССИЙСКОЙ ФЕДЕРАЦИИ УКАЗАНИЕ от 20 ноября 2015 г. N 3854-У ФОРМА ЗАЯВЛЕНИЯ ПРИМЕНИМА ТОЛЬКО ДЛЯ ОБРАЩЕНИЙ В ТЕЧЕНИЕ 14 КАЛЕНДАРНЫХ ДНЕЙ С ДАТЫ ЗАКЛЮЧЕНИЯ ДОГОВОРА (ОПЛАТЫ СТРАХОВОЙ ПРЕМИИ) ФОРМА ЗАЯВЛЕНИЯ ЗАПОЛНЯЕТСЯ СТРАХОВАТЕЛЕМ (ЛИЦОМ, ОПЛАТИВШИМ СТРАХОВУЮ ПРЕМИЮ) В ООО СК «Сбербанк страхование жизни» (далее – «Страховщик») от Страхователя Фамилия, имя, отчество (полностью) место рождения (Страна), гражданство (при наличии нескольких указать все) ИНН США / Другой страны (при наличии) Паспорт: серия и номер наименование выдавшего органа дата выдачи и код подразделения Фактический (почтовый) адрес: индекс:__ __ __ __ __ __ Телефоны: моб. дом. ЗАЯВЛЕНИЕ об отказе от Договора страхования (о расторжении) и возврате страховой премии Настоящим, я отказываюсь в полном объеме от договора добровольного страхования от несчастных случаев (Страхового полиса) №____________________, заключенного мной _______/_______/_________/ (далее – договор страхования), и прошу вернуть оплаченную по договору страхования страховую премию. При этом, я подтверждаю и соглашаюсь с тем, что договор страхования считается не вступившим в силу и страховые выплаты по нему не производятся. Пожалуйста, укажите причину отказа от договора страхования (отметьте один или несколько вариантов): Не осознаю необходимости в данной страховой программе Обнаружил неприемлемые пункты в условиях договора страхования Иное (просьба пояснить): Возврат денежных средств прошу осуществить безналичным перечислением по следующим реквизитам: На мой расчетный счет: Наименование банка (и его отделения): Адрес и телефон банка: БИК: ИНН банка: Расчетный счет банка*: Корреспондентский счет банка: Лицевой счет заявителя: или № пластиковой карты заявителя: * Расчетный счет банка обязательно заполняется, если указан только № пластиковой карты, а также если Лицевой счет заявителя указывается в назначении платежа, например, для региональных отделений Сбербанка. Настоящим я подтверждаю свое ознакомление с целями и условиями обработки персональных данных, содержащимися в договоре страхования (страховом полисе) и в Правилах добровольного страхования от несчастных случаев в редакции, действовавшей на момент заключения договора страхования (далее – Правила страхования). Кроме того, проставляя подпись на настоящем Заявлении, я выражаю свое согласие на использование Страховщиком моих персональных данных в целях осуществления Страховщиком контроля и оценки качества страховой услуги по всем вопросам ее предоставления (например, для выяснения причин отказа от договора страхования), в т.ч. путем осуществления прямых контактов с помощью средств связи. Подписывая настоящее Заявление, я подтверждаю свое согласие на обработку персональных данных в соответствии с положениями договора страхования и Правил страхования (с учетом положений настоящего Заявления). Приложения (нужное отметить  ):  копия платежного поручения/чек-ордера/ чека по операции;  копия документа, удостоверяющего личность;  иное (указать) _______________________________________________________________________________. « » 20 г. (подпись Страхователя)
Вести-Хабаровск. Государственное юридическое бюро Хаб. края
 
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Современная жизнь заставляет человека практически ежедневно сталкиваться с юридическими тонкостями и нюансами. Жилищно-коммунальное хозяйство, трудовые отношения, движимое и недвижимое имущество - чтобы иметь представление о своих правах и обязанностях в этих сферах, необходимо изучить не один кодекс. При этом немногие жители Хабаровского края знают, что с июля прошлого года в регионе появились подразделения государственного юридического бюро, в которых можно получить бесплатную квалифицированную помощь.
Просмотров: 107 VestiKhabarovsk
Публичное обсуждение результатов правоприменительной практики 08 ноября 2017 г. в г. Махачкала
 
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8 ноября Северо-Кавказское таможенное управление провело в Махачкале публичное обсуждение результатов правоприменительной практики таможенных органов при осуществлении контрольно-надзорной деятельности
Microsoft Azure OpenDev—June 2017
 
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This first-ever virtual event from Microsoft showcasing open source technologies in the cloud is hosted by John Gossman, Lead Architect of Microsoft Azure, and features industry thought leaders including Mark Shuttleworth of Canonical and speakers from Docker, Pivotal, Red Hat, and Chef—as well as Microsoft teams dedicated to open source. • Use containers to build microservice-based solutions on Azure, in Java, Node.js, and more. • Use existing open source skills and tools to enable your DevOps pipeline in the cloud. • Modernize your existing apps and implement community best practices. See what's possible with open source solutions.
Просмотров: 10474 Microsoft Azure
The Vietnam War: Reasons for Failure - Why the U.S. Lost
 
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In the post-war era, Americans struggled to absorb the lessons of the military intervention. About the book: https://www.amazon.com/gp/product/0871137992/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0871137992&linkCode=as2&tag=tra0c7-20&linkId=d1bb53399f448906b40e7c954de052ac As General Maxwell Taylor, one of the principal architects of the war, noted, "First, we didn't know ourselves. We thought that we were going into another Korean War, but this was a different country. Secondly, we didn't know our South Vietnamese allies... And we knew less about North Vietnam. Who was Ho Chi Minh? Nobody really knew. So, until we know the enemy and know our allies and know ourselves, we'd better keep out of this kind of dirty business. It's very dangerous." Some have suggested that "the responsibility for the ultimate failure of this policy [America's withdrawal from Vietnam] lies not with the men who fought, but with those in Congress..." Alternatively, the official history of the United States Army noted that "tactics have often seemed to exist apart from larger issues, strategies, and objectives. Yet in Vietnam the Army experienced tactical success and strategic failure... The...Vietnam War...legacy may be the lesson that unique historical, political, cultural, and social factors always impinge on the military...Success rests not only on military progress but on correctly analyzing the nature of the particular conflict, understanding the enemy's strategy, and assessing the strengths and weaknesses of allies. A new humility and a new sophistication may form the best parts of a complex heritage left to the Army by the long, bitter war in Vietnam." U.S. Secretary of State Henry Kissinger wrote in a secret memo to President Gerald Ford that "in terms of military tactics, we cannot help draw the conclusion that our armed forces are not suited to this kind of war. Even the Special Forces who had been designed for it could not prevail." Even Secretary of Defense Robert McNamara concluded that "the achievement of a military victory by U.S. forces in Vietnam was indeed a dangerous illusion." Doubts surfaced as to the effectiveness of large-scale, sustained bombing. As Army Chief of Staff Harold Keith Johnson noted, "if anything came out of Vietnam, it was that air power couldn't do the job." Even General William Westmoreland admitted that the bombing had been ineffective. As he remarked, "I still doubt that the North Vietnamese would have relented." The inability to bomb Hanoi to the bargaining table also illustrated another U.S. miscalculation. The North's leadership was composed of hardened communists who had been fighting for independence for thirty years. They had defeated the French, and their tenacity as both nationalists and communists was formidable. Ho Chi Minh is quoted as saying, "You can kill ten of my men for every one I kill of yours...But even at these odds you will lose and I will win." The Vietnam War called into question the U.S. Army doctrine. Marine Corps General Victor H. Krulak heavily criticised Westmoreland's attrition strategy, calling it "wasteful of American lives... with small likelihood of a successful outcome." In addition, doubts surfaced about the ability of the military to train foreign forces. Between 1965 and 1975, the United States spent $111 billion on the war ($686 billion in FY2008 dollars). This resulted in a large federal budget deficit. More than 3 million Americans served in the Vietnam War, some 1.5 million of whom actually saw combat in Vietnam. James E. Westheider wrote that "At the height of American involvement in 1968, for example, there were 543,000 American military personnel in Vietnam, but only 80,000 were considered combat troops." Conscription in the United States had been controlled by the President since World War II, but ended in 1973." By war's end, 58,220 American soldiers had been killed, more than 150,000 had been wounded, and at least 21,000 had been permanently disabled. According to Dale Kueter, "Sixty-one percent of those killed were age 21 or younger. Of those killed in combat, 86.3 percent were white, 12.5 percent were black and the remainder from other races." The youngest American KIA in the war was PFC Dan Bullock, who had falsified his birth certificate and enlisted in the US Marines at age 14 and who was killed in combat at age 15. Approximately 830,000 Vietnam veterans suffered symptoms of posttraumatic stress disorder. An estimated 125,000 Americans fled to Canada to avoid the Vietnam draft, and approximately 50,000 American servicemen deserted. In 1977, United States President Jimmy Carter granted a full, complete and unconditional pardon to all Vietnam-era draft dodgers. The Vietnam War POW/MIA issue, concerning the fate of U.S. service personnel listed as missing in action, persisted for many years after the war's conclusion. http://en.wikipedia.org/wiki/Vietnam_War
Просмотров: 3999340 The Film Archives
Leap Motion SDK
 
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Просмотров: 49925 CS50
The Great Gildersleeve: Engaged to Two Women / The Helicopter Ride / Leroy Sells Papers
 
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Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Просмотров: 72188 Remember This
Calling All Cars: The Corpse Without a Face / Bull in the China Shop / Young Dillinger
 
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The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 45066 Remember This
The Great Gildersleeve: Fire Engine Committee / Leila's Sister Visits / Income Tax
 
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The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
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The Rich in America: Power, Control, Wealth and the Elite Upper Class in the United States
 
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The American upper class describes the sociological concept pertaining to the "top layer" of society in the United States. About the book: https://www.amazon.com/gp/product/0078026717/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0078026717&linkCode=as2&tag=tra0c7-20&linkId=2eb8359867676703c845d545981030e7 This social class is most commonly described as consisting of those with great wealth and power and may also be referred to as the Capitalist Class or simply as The Rich. Persons of this class commonly have immense influence in the nation's political and economic institutions as well as public opinion. Many politicians, heirs to fortunes, top business executives, CEOs, successful venture capitalists and celebrities are considered members of this class. Some prominent and high-rung professionals may also be included if they attain great influence and wealth. The main distinguishing feature of this class, which is estimated to constitute roughly 1% of the population, is the source of income. While the vast majority of persons and households derive their income from salaries, those in the upper class derive their income from investments and capital gains. Estimates for the size of this group commonly vary from 1% to 2%, while some surveys have indicated that as many as 6% of Americans identify as "upper class." Sociologist Leonard Beeghley sees wealth as the only significant distinguishing feature of this class and, therefore, refers to this group simply as "the rich." " "The members of the tiny capitalist class at the top of the hierarchy have an influence on economy and society far beyond their numbers. They make investment decisions that open or close employment opportunities for millions of others. They contribute money to political parties, and they often own media enterprises that allow them influence over the thinking of other classes... The capitalist class strives to perpetuate itself: Assets, lifestyles, values and social networks... are all passed from one generation to the next." -Dennis Gilbert, The American Class Structure, 1998 " Sociologists such as W. Lloyd Warner, William Thompson and Joseph Hickey recognize prestige differences between members of the upper class. Established families, prominent professionals and politicians may be deemed to have more prestige than some entertainment celebrities who in turn may have more prestige than the members of local elites. Yet, contemporary sociologists argue that all members of the upper class share such great wealth, influence and assets as their main source of income as to be recognized as members of the same social class. As great financial fortune is the main distinguishing feature of this class, sociologist Leonard Beeghley at the University of Florida identifies all "rich" households, those with incomes in the top 1% or so, as upper class. Functional theorists in sociology and economics assert that the existence of social classes is necessary in order to distribute persons so that only the most qualified are able to acquire positions of power, and so that all persons fulfill their occupational duties to the greatest extent of their ability. Notably, this view does not address wealth, which plays an important role in allocating status and power. In order to make sure that important and complex tasks are handled by qualified and motivated personnel, society offers incentives such as income and prestige. The more scarce qualified applicants are and the more essential the given task is, the larger the incentive will be. Income and prestige which are often used to tell a person's social class, are merely the incentives given to that person for meeting all qualifications to complete an important task that is of high standing in society due to its functional value. "It should be stressed... that a position does not bring power and prestige because it draws a high income. Rather, it draws a high income because it is functionally important and the available personnel is for one reason or another scarce. It is therefore superficial and erroneous to regard high income as the cause of a man's power and prestige, just as it is erroneous to think that a man's fever is the cause of his disease... The economic source of power and prestige is not income primarily, but the ownership of capital goods (including patents, good will, and professional reputation). Such ownership should be distinguished from the possession of consumers' goods, which is an index rather than a cause of social standing." -Kingsley Davis and Wilbert E. Moore, Principles of Stratification. http://en.wikipedia.org/wiki/American_upper_class
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Our Miss Brooks: English Test / First Aid Course / Tries to Forget / Wins a Man's Suit
 
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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
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Author, Journalist, Stand-Up Comedian: Paul Krassner Interview - Political Comedy
 
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Paul Krassner (born April 9, 1932) is an author, journalist, stand-up comedian, and the founder, editor and a frequent contributor to the freethought magazine The Realist, first published in 1958. More Krassner: https://www.amazon.com/gp/search?ie=UTF8&tag=tra0c7-20&linkCode=ur2&linkId=0409ec81e89dc273f401e1ad94aaddac&camp=1789&creative=9325&index=books&keywords=paul%20krassner Krassner became a key figure in the counterculture of the 1960s as a member of Ken Kesey's Merry Pranksters and a founding member of the Yippies. The Realist was published on a fairly regular schedule during the 1960s, then on an irregular schedule after the early 1970s. In 1966, Krassner published The Realist's controversial "Disneyland Memorial Orgy" poster, illustrated by Wally Wood, and he recently made this famed black-and-white poster available in a digital color version. The Realist also distributed a red, white and blue Cold War bumper sticker that read "Fuck Communism." Krassner's most notorious satire was the article "The Parts That Were Left Out of the Kennedy Book", which followed the censorship of William Manchester's book on the Kennedy assassination, The Death of a President. At the climax of the grotesque-genre short-story, Lyndon B. Johnson is described as having sexually penetrated the bullet-hole wound in the throat of John F. Kennedy's corpse. According to Elliot Feldman, "Some members of the mainstream press and other Washington political wonks, including Daniel Ellsberg of Pentagon Papers fame, actually believed this incident to be true." In a 1995 interview for the magazine Adbusters, Krassner commented: "People across the country believed - if only for a moment - that an act of presidential necrophilia had taken place. It worked because Jackie Kennedy had created so much curiosity by censoring the book she authorized - William Manchester's 'The Death Of A President' - because what I wrote was a metaphorical truth about LBJ's personality presented in a literary context, and because the imagery was so shocking, it broke through the notion that the war in Vietnam was being conducted by sane men." In 1966, he reprinted in The Realist an excerpt from the academic journal the Journal of the American Medical Association, but presenting it as original material. The article dealt with drinking glasses, tennis balls and other foreign bodies found in patients' rectums. Some accused him of having a perverted mind, and a subscriber wrote "I found the article thoroughly repellent. I trust you know what you can do with your magazine." Krassner revived The Realist as a much smaller newsletter during the mid-1980s when material from the magazine was collected in The Best of the Realist: The 60's Most Outrageously Irreverent Magazine (Running Press, 1985). The final issue of The Realist was #146 (Spring, 2001). Krassner remains a prolific writer. In 1971 he published a collection of his favourite works for The Realist, as How A Satirical Editor Became A Yippie Conspirator In Ten Easy Years. In 1981 he published the satirical story Tales of Tongue Fu, in which the hilarious misadventures of the Japanese-American man Tongue Fu are mixed with a wicked social commentary. In 1994 he published his autobiography Confessions of a Raving, Unconfined Nut: Misadventures in Counter-Culture. In July 2009, City Lights Publishers will release Who's to Say What's Obscene?, a collection of satirical essays that explore contemporary comedy and obscenity in politics and culture. He published three collections of drug stories. The first collection, Pot Stories for the Soul (1999), is from other authors and is about marijuana. Psychedelic Trips for the Mind (2001), is written by Krassner himself and collects stories on LSD. The third, Magic Mushrooms and Other Highs (2004), is by Krassner too, and deals with magic mushrooms, ecstasy, peyote, mescaline, THC, opium, cocaine, ayahuasca, belladonna, ketamine, PCP, STP, "toad slime," and more. http://en.wikipedia.org/wiki/Paul_krassner
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